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The Via Crucis of Camille - Crux 1 - Page 19

Camille's head rose up reacting again to the nail breaking through.

Her teeth were clenching, as if she was trying to fight off the pain. A bit of defiance in the middle of the inevitable, her head went back slowly as she let out a loud and raspy moan that passed through my ears and into my heart.

This moment was very emotional for both of us. To me it was almost as the final performance of my favorite star after she announced her retirement.

It was a moment to treasure forever and every move she made, every face she gave, every contraction she pulled, it was part of a new poem, The rhythmic expression of an idea turning into a reality.

If this was to be our final moment, it was going to be one to remember forever and it was obvious to me that she was giving it all for me, perhaps with the conviction that it was her swan song dedicated to me.

Leticia's body was not reacting as before, even if the pain was far more intense, her ordeal had made her weak. But she still did not faint. The nail was hammered in slowly and the echo of the strokes travelled to the slave who was wishing they were done with the tormenting of her mistress, she was hoping the young woman was going to be quick in dying so her own ordeal would reach an end as well.

The first day hanging on her cross she was lashed at least three times during the long passing hours, twice she was burnt with hot irons and only once she was given water.

As the sun reached the middle of the sky, she tried to hide her face from the heat, but a soldier went up the ladder, forced her head to face up, tying her head in that position by placing a chain over her open mouth. She again the object of bets as the sun burned her lips and dried up her eyes, almost blinding her.

In the evening, as the chills of the wind visited her body, they released her head.

A few strokes of the hammer were enough to break the layers of flesh and bone to find the wood under Camille's hand. Her fingers were again grabbing my hand at each blow and opening up in reaction to the pain. It was almost like a dance, the dance of a tortured hand, like a spider that has a pin inserted through its body while it's still alive. A cruel act by any standards.

The macabre dance of such small and beautiful hand trapped by the nail, punished by the hammer.

Poetry of cruelty in motion.

Questions of morals and correctness flooding my mind. This is the woman I love and yet there she is suffering the indignities of a cruel practice of ancient times. There she is, naked for my indulgence, becoming a goddess of countless nights from the past, the present and the future.

There she is, the woman who is saying good bye in the most unusual and poetic way possible.

Leticia's screams grew shorter and softer, a sign that can only mean good news to the struggling servant who now counts the strokes as they become the markers of the passing of time as she approaches what she hopes is the end of suffering.

The second day on her cross was not better than the first, even if it started with the tender moment of getting some water.

But this time they actually let her down from her cross as soon as the light of dawn was on her.

She was relieved to feel the ground under her even if the pain became intense at times. They released her shoulders from the chain holding her against the wood. She was free of her bonds for a brief moments, relishing the sensation of being on the ground. Hoping that now they found some mercy in their hearts and were to cut off her head.

She didn't expect them to do that, she just hoped.

Camille began to shake again, raising her legs, opening them up a bit, just to close them again. I had placed the camera at an angle that might capture exactly that moment when her legs opened. She wasn't wearing anything under the loin cloth and this piece of rag had no bottom. Opening her legs would expose her to the lens.

Once, when I was a student, in my photography class, I presented one photograph of my naked girlfriend. She was laying on the floor, her arms open as in a cross and her legs slightly open.

The professor was a bit prude and felt that it was not appropriate to show 'my lady' as he put it, in that pose, showing more of her body that he felt was necessary to show.

I had to disagree. Every bit of her body was a beautiful song to nature, to life, to beauty.

The argument did not end. Now it was Camille who was about to open her legs at a crucial moment of pain and was to expose more of her body that was perhaps necessary.

I raised the hammer in anticipation.

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