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The Training of Camille - Session 1 - Page 8

JJ's recollection of Camille's first time under the whip continues

I was concentrating on Camille's body. The camera was set to capture from her neck to her knees, I wanted to see her body language under these circumstances. Not everyone reacts the same way and I wanted to see her reaction. When I first brought Rossie to this room, she was stiff, shy, self-consciouss. It took four of five sessions before Rossie could relax and let herself go a bit. Even then, she was still self-consciouss. What I was finding in Camille is that she was very expressive from the first moment. Her body moved under the rod as it should.

She was comfortable with herself and with me, which was better than excellet.

I moved around her, to get to as many sides of her body as possible. Trying not to block with camera's view with my body. The place is small, so there wasn't much room to manouver, which made me think that we were going to have a hard time working with a full crew in here. This was, after all, the location for that escene.

We are going to have a bigger camera, bigger tripod, lights, a gaffer, the director of photography, myself and probably the make up person. The room was very small. I had to think about that.

I hit her again, she tensed her belly, her legs, making her body seem taller, making her breasts bigger. I was having a hard time resisting the urge to go to the camera and to see how she looked at this moment. When I worked in this type of escenario with Margot, I was fascinated with the results. We used this camera, a couple of lights, and that was it.

When I saw the results, long after we did that, one particular escene was very similar to one escene of a Christopher Lee movie, except that in that movie the heroine wasn't naked, like Margot, and she wasn't as beautiful either. I have to say that I was very proud of that modest shot that accomplished more than what Hammer House did with a Zero budget.

I was liking Camille, of course, that was not a surprise to anyone, not to Margot, not to me, not to the entire acting trouppe, not even to Camille. We were connecting. But from that to make my move, there was still a long stretch. I wasn't even sure if I would make any move. She was young, very young, much younger than me and not all young women are attracted to men who could be their father.

Margot is a lot younger than me, but not as young. One young boy made the comment once that I could be Margot's father's younger friend. He would say, in the case of Camilly, that I could be her father.

I'm sure that everyone would frown upon this relationship if it ever became one.

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