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The Via Crucis of Camille - Crux 2 - Page 7

With Camille resting on the cold floor, my attention was directed at what to do next. As I mention repeateadly, I don't want to repeat myself. All previous experiences were different, they all had a different look even if on occassion they were shot on the same location.

My plan was to work on this location for as long as Camille would be willing to do it. So, it was important that I try different things each time.

I wasn't sure if this was going to be one of many more sessions or the last. But here I was, planning for the future.

By this time Camille had grown in her experience as an actress. I was no longer concerned about her performance, I was sure she was going to deliver each time and what I wanted. I began to think that now I could concentrate in "the look" of the scenes. I knew there was a lot of work to do if I wanted to get a better look.

I left Camille on the floor to take the camera and get some pov shots of her, to study her body, as it became a routine everytime I stopped whipping her. One thing that I noticed is that I was not enjoying the moment as I would have if I was not shooting a movie, if I was only role playing..

I was actually separating this activity from the more personal, private, intimate life I had with Camille. This was becoming work and mostly work, even if I was turned on by her. I was able to distance myself from the situation, to look at it proffessionally and it was strange.

As I roved over Camille's body with the camera, capturing the whipping marks, the soft breathing, her sexy lines,

I was thinking about the composition of the image rather than about how it would be to just fuck her right there and then. She was not a lover at that moment, she was a victim, a character, a work of fiction, a performance and fucking wasn't on the script, the mental script because nothing was written.

The commander reached the group and asked what was all the conmotion. "This old man accuses this young woman of stealing, .... she had an apple with her." The Commander looked at the young woman, he fancied her. "So a young, pretty thief... Do you have anything to say for yourself? ... are you a thief?"

Lyvia didn't dare to speak, they might recongnize her accent and find that she was a runaway slave. "Don't you have a tongue?" The commander asked. Annoyed at her silence he gave an order. "Take her to the square, give her ten lashes and let her go. That's her punishment for stealing an apple and not responding to me".

The older man took pity on the woman. "I don't mind her stealing the apple... she might be hungry... let her go"

The commander wasn't impressed with the old man's pleas. "Too late old creep, she will get what she deserves. Let's go"...

By then a small crowd had gathered around the group, amongst them, hidding behind two large women, was the young girl.

The soldiers grabbed Lyvia by her arms and dragged her away.

As I got closer to Camille with the lens, I began to feel the need of lights, different lights, and the need of using a better camera, one that would capture the image with a lot more control.

My professional camera uses 20 dollar 3/4 inch tapes, a dollar per minute of image. My old VHS was giving me 2 hours of image for less than 3 dollars.

But it was inevitable. After this session, if we were going to continue, I had to start using the better equipment, lights and whatever I could get. Which brought a question to my mind. Could I do this alone? As the ONLY crew? The orchestra man? Maybe I should get Margot to help me, but it would be so odd.

I tried to imagine Margot watching me whipping Camille, stripping her naked, crucifying her. I don't think she would appreciate that.

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