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The Via Crucis of Camille - Crux 2 - Page 28

Camille looked very erotic as she laid on the floor, her arms stretched over the crossbar, her semi-nuede body marked the whip, her hand nailed.. The urge to make love to her was there, as a constant element of this sessions, it was the way I could also suffer during them.

I was attracted to the erotic elements of the cross, of course, that's why I am doing this. If I had been repelled by this I wouldn't do it. There are so many things wrong with crucifying someone that there had to be a great force to compel me to do it. That force is sex.

It is a turn on for me and that is a fact I am no longer fighting. I am, in fact, embracing it by working it into my career, into my ouvre. I am going to have it present in my life always and in many ways, and one dream is to make that movie.

But making the movie is not easy, I don't have the money, and it's production is very complex. That's why it is, for now, a dream. Not a pipe dream, I hope.

Lyvia rested on the ground for sometime as the soldiers prepared to take her away to hang her outside of the city. They made sure the nails were holding well and to make sure of that they raised Lyvia up, two soldiers holding the crossbar where her hands were nailed and two others holding the crossbar where her ankles were held by the long nails. They turned her to face the ground, holding her body up. Her head was hanging down and the nails held her up, her hands and feet didn't come out.

After the test they lowered her, keeping her facing down, to the ground. Her body rested now on the dirt, face down, the crossbar resting on the back of her head.

It took a bit more time before they procession began. The executioner was getting ready as well.

The soldiers lifted Lyvia again and began to walk. Lyvia was hanging over the ground, her hands and feet keeping her up as she was taken out of the city. The executioner fulfilling his mission of whipping her as the procession moved slowly to the city gates.

The sun was up in the middle of the sky, burning everyone's skin. The post was waiting far away. It was the final destination for Lyvia.

The group of soldiers were followed closely by the crowds, so of the people were walking almost at the side of the soldiers and the hanging woman.

Rachel was one of those walking in step with the soldierd carrying her friend, the woman that was paying dearly for giving her a piece of bread. The old man was close behind.

The group arrived to the post and turned Lyvia to face the sky, and as they did it people could see the extent of the tortures on her body. She was lowered in front of the post as the ropes were prepared to raise her.

She was conscious, moving her head to the sides, her eyes half open, half closed.

Rachel tried to get near her, a soldier stopped her, but the commanding officer gave the order to allow the girl to get near Lyvia.

I moved the camera to have the side angle of Camille's crucifixion. From the POV of the camera her body looked great, the whipping marks impressive, Her performance incredibly realistic.

I continued her nailing, she was fighting her pain, moving up and down and to the sides. Part of the eroticism is the movements of the victim in extreme pain. Maricelli, when placing herself in her fantasy, moved with that pain, as a macabre dance that is, in fact, erotic.

The intensity of the moment is being captured by the camera. Something I would be able to see time and time again. And now that it was becoming obvious that Camille was leaving me, it was comforting to know that I will have something so amazing to remember her by.

Camille's suffering continued, she looked at the camera lens as if she was looking at some distant witness of her suffering. She shook and twisted her body as I hammered her to the crossbar.

The scene was almost complete. I had enough of the nailing. Camille had a long way to go before we ended the session, but we were getting close. I wanted to finish it fast because I wanted to make love to her, just as she was, nailed to the cross.

The intention was forming in my head.

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