Featuring Now
Coming soon
The Via Crucis of Camille - Crux 2 - Page 22

Camille leaned to the sides as I tied her wrists to the cross bar. I was enjoying the escene. From my perspective, her back looked right. The whipping marks, the ripped rags hanhing from her shoulders, the crossbar pressing her skin, her lower garment dirty with blood. All the details I needed.

Camille did not make a sound while I was tying her up. Her breathing and my fussing with the ropes were the only sound.

I had told her before what to do. She was going to look at the camera at one point as if it was someone. She had to express what Maricelli saw in the black slave.

Lyvia's feet were released from the block of wood where they were crushed. The block was put away leaving Lyvia hanging from the wooden crossbar the held her wrists.

She was no longer held by the weight of the block so her body began to shake convulsively from the pain. Lyvia bent her knees slightly, raising her broken and burned feet. Her body, full of the whipping marks, welts and blood, was twisting to the sides as she moved her legs, responding to the intense pain of her feet.

Two soldiers proceeded to lower her from the post. As Lyvia's feet touched the ground below she let out another scream. The soldiers simply let her body fall, fase down.

The crowd watched in silence as another wooden bar was placed under Lyvia's knees. Two soldiers held the bar under her knees and started to drag the woman away. A soldier grabbed the bar that held her wrists and lifted it and so she was carried to the gates of the city, her head brushing the dirt road, her feet dangling free, her hands bound to the crossbar.

The crowd followed the woman as she was carried to the post on the dirt road.

Lyvia was laying in from of the post while a rope was tied to the crossbar that held her wrists. She then was pulled up, facing the post, her naked backside exposed to the crowds and the road.

The wooden bar was placed under her knees and on the opposite side of the post and her feet here tied together to exposed them to the curious.

A soldier approached Lyvia with the hot iron that had the mark of the Runaway Slave and branded her ass. Lyvia screamed as the fire burned her skin.

Lyvia fainted, her naked body hanging quietly, facing the post, her broken and burned feet exposed to show the fate of a runaway slave.

Camille was ready, the crossbar over her shoulders, her wrists tied. She was ready to get up and begin her march. To prod her I used the whip. I hit her a few times across her back, she refused to get up. It was just as I told her it should be. It was Maricelli imagining herself in the place of the black slave before he was taken away. Maricelli's father ordered for his people to take the slave to the "cepos", the colonial pillories where he was going to be punished.

But the slave did not move, he had to be force, with the use of the whip, to begin his walk. It was then, when he began walking that he turned to Maricelli's father, raised his head and smiled at him defiantly.

Maricelli was deeply impressed, she imagined herself in the slave's place.

Camille looked directly into the lens of the camera, as if it were the eyes of Maricelli's father. I was behind her, holding her head by her hair, I could not see how she looked. I was trusting that the intensity of her eyes was what I was looking for.

In the script Maricelli imagines herself defying her father, the crossbar over her shoulders, half naked, her back and torso full of whip marks, exactly as what she saw when the captured slave was taken away. The impact of that moment made a big impression on the young woman and moved her deeply. I wanted Camille to express that, to show that on her body and in her eyes.

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12

13 / 14 / 15 / 16 / 17 / 18 / 19 / 20 / 21 / 22

23 / 24 / 25 / 26 / 27 / 28 / 29 / 30 / 31 / 32 / 33

©2009 RFPIX-Red Feline Pictures

Worldwide rights reserved.