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The Via Crucis of Camille - Crux 2 - Page 13

When I positioned the camera for the closer look of Camiille I saw an amazing image. Her expression could not be more saintly, her breast could not be more beautiful. As I whipped her I thought of what I saw through the lens. I knew how it was going to look, I made sure her face was always going to be in view.

The whip went across her breasts, she shook her head back and forth in pain, no longer fixing her eyes on me. She was looking straight at the wall, fixing her eyes in a blank point where she could concentrate her pain.

Part of her training for her previous role was how to deal with pain for the camera. If she fixed her eyes on a point, she could express a lot more than if her eyes were left to wander.

Camille fixed her eyes on a point where she could concentrate her emotions. Her pain was real, maybe not as horribly painful as if it were a real flogging, but it was real enough.

The whip hit her breasts again.

Lyvia was led to the place of her first punishment, where a block of wood was used to cut thieves hands. The wooden contraption was a meter tall.

The woman was made to kneel in front of it, her wrist were place on the block of wood and held by metal grills. Her hands were flattened against the surface of the wood. Two long pieces of wood were placed over and under her fingers and tied at both ends. Held in this position, on her kness, her hair was chopped off with a knife.

When the preparation was over, the executioner stood behind her, whip in hand. The whip was one used for thieves. A long bull whip.

100 lashes! the order was given and the executioner began his task. As the whip fell on the woman's back, thighs, buttocks and legs, Lyvia couldn't hold her screams. Her back was quickly showing the welts and thin marks of blood.

The crowds that grew fast, were silent, except from some cries of mercy of one or two women. Blended within the crowd, the old vendor and the young girl, stood together. The girl was crying, as the woman that gave her food, was paying dearly for her crime.

As the whip hit her across the face I could not avoid wondering if we were going to be doing this after this evening.

Did I have days? weeks? months? before she left me for good?

I was sure I didn't have years. She was determined to go on her way, to move on, to have a taste of a new life, with new people.

That much I learned when we returned from NY. Her months in France had changed her. I saw photographs of her new friends, particularly one guy with cropped hair. It was the new scene, the trance parties, the extasis, the all night dancing. Her 90's experience was throwing her 60's experience to where it belonged, to the past.

Camille once commented that she experienced the 60's. It was during our beginning together, when the group I formed for the shooting of the movie got into a 60's mood, listening to Hendrix, Joplin, Doors, partying with pot and some of the guys with long hair. Yes, I could see that. We were reliving the 60's in the middle of the 90's

A mid life crisis for me perhaps, for Camille and her friends, a new world. A world of discovery, as it was for me decades before. But the experience was short lived. Soon she was out of it and into her generation's scene and I was no longer the cool guy, but the old geezer. Too old to rock and roll but too young to die.

All there was left was this, this moment, my perverted moment, a moment that trascended time, generations, genders. It was a moment as old as humanity.

As the whip hit Camille across the face once again, I saw in her expression what I wanted to get. The expression of the body in pain, the expression that was true in a saint of the 3rd century, and expression that was true in the Maricelli of the 18th century, an expression that was true of the Camille of the soon to be 21st century.

The pain of martyrdom trascending time.

I was getting that. I was trasncending the room, the time, the crisis and experiencing the moment of Camille's pain. She was expressing it, she was living it, she was becoming the character in my script, she was becoming her fantasy.

And she was beautiful while doing it.

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