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The Training of Camille - Session 2 - Page 4

After a moment, at the beginning of the session, where she had a good laugh, Camille did not get off character at all, regardless of what I did to her. I was impressed as her back was receiving the strokes of the rod. I didn't have a whip on the movie, so I couldn't justify one. In fact the victim was not beaten at all, she was slashed. This was a "slasher" film with a serious intent.. But I had to do it. I had to see if she would be willing to work on the same escenario I was working with Margot before. That of the martyr.

..When I worked with Margot I "invented" a way of beating her with a rod that would leave bloody marks. I used that same effect with MaRe later on and with Rosie. The same nasty instrument that I was now using on Camille, instead of a whip, which is what I really wanted to have at the moment.

I hit Camille a bit harder every time, she twisted around when I beat her a bit too strong.  The strikes were loud too. Very loud. Margot was working on the floor below and she could hear them. She could also hear her muffled cries of pain.

When I indulged in this escenario with MaRe, it happened in an almost dreamy way. The two actors were gone, we were listening to the sountrack of Twin Peaks when I reached to her and touched her hand. She responded by getting nearer to me, accepting my move, not knowing that I had read her soul and was going to give her what she secretly wanted. I grabbed her wrists, instead of her hands, and dragged her to the next room, where I often played with Margot, where I kept the ropes.

Camille's back was showing more and more of the bloody marks of her beating. I had to wonder how she felt, but I wasn't going to ask. I was totally aroused, but I wasn't going to act on it. I was imposing untold misery on myself as a way of balancing her suffering at my hands, even if it appeared to me that she was having fun. I can't say that she was enjoying the pain, not like MaRe did. I think she was enjoying the situation.
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