Featuring
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Coming
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The
Training of Camille - Session 2 - Page 24
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From Camille's face to Camille's
feet, to Camille's breasts, to Camille's wrists,
the camera loved every inch of her. I placed
The Mark on her forehead. I did it to benefit
Camille's performance, to give her an idea
of what she was going to go through during
the shoot.
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There was beauty in her
suffering. The same beauty I found in religious
art, the kind that portrays the suffering
of martyrs. There's something mesmerizing
in the suffering of a martyr. Perhaps because
artists portray suffering as a sublime form
of expression. The body suffers so the soul
can trascend the earth and enter paradise.
The glorification of death. |
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Camille, very much alive, is
the glorification of life. The sublimation
of the body in pain and carries in her the
exuberance of youth. I feel her youth, her
energy and I feel as if was drinking from
the fountain of youth. We have a rapport which
I'm happy to say, it is not one sided. I think
she likes me too. How much? that's what I
have to find out. |
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