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The
Training of Camille - Session 2 - Page 22
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The time came to explore Camille.
I left the rod aside and took the camera.
Camille as the object of desire? The Camera
as an extension of my eyes, the tape as a
way to preserve the moment. To make it better
than a fading memory. An image to last years
and years. I turned the lens to Camille's
body, to her breasts, to her face.
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I explored every inch of
Camille, her expression, her movement, the
lines of her face, the texture of her skin.
It was my second time working like this with
her, not knowing if I would have more opportunities
to repeat the experience. I had to explore
her. |

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I was becoming familiar with
her form. I found that to do justice when
portraying someone, one must know the person
very well. A photographer must know what light
and in what position will create the portrait,
the perfect portrait of that person. So, by
exploring Camille's body through the lens,
I was going to learn how she would look the
best. Not a hard thing to do since the camera
seemed to love her.
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