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The Training of Camille - Session 2 - Page 30

I saw Camille's body through the lens, my amateur illumination was not bad at all. The effect of the light and the shade on her body were excellent. Not what I would consider a proffessional shoot, but great looking amateur image. There was something artistic that perhaps was not totally intended. The lack of resources forced me to consider a minimalist style of work, where the less I used, the better.

And so it was, that all of a sudden I began thinking Caravaggio. Minimalist painting that concentrates on the body. That's when I thought that I would use a similar light setting for the film. To avoid showing more than needed. I applauded myself silently still mesmerized by Camille who was still full of surprises. I took the rod.

There were very few films where sadomasochism was treated in a way that I would like. Growing up, consciouss of my preferences, sexual, sensual preferences, I was attracted to art. Only good art provide me the inspiration, the awe that I was searching. And mostly old art. Old paintings, carvings, drawings. I leaned to a romantic view of the world and of suffering. Very catholic of me.

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