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January 25th

We are getting ready to go, there's only one detail that we have to take care of. The poster for the film. A new lesson on the business of filmmaking for me. I thought they were going to use the stills they have from the shooting itself. But no. We are going to take pictures for the poster. There's one particular image he wants, a close up of my face, suffering in my eyes, some blood around my neck.

So we went to the set, with a video camera and a photo camera. His idea is to work on a scene and build it until I get the expression he wants on my face. And, wouldn't you know ... he was going to whip me again ... and recreate the scene of my cutting up, the entire scene all over again. I wasn't going to wear the same clothes, which in the film are light purple. ... and for the photographs they are dark, almost black, greenish...

We began almost routinely, he tied me up to this contraption he had the carpenter made and whipped me on my back for a while. He then tied me up to a cross bar almost sitting, he left me there while he prepared the next shoot.

I was raised up and tied with my arms open, like a cross. He whipped me again, across my chest and legs. When he thought he had the expression he wanted he took photographs.

Not a big deal this time, but according to him I looked beautiful.

January 28th

I saw the pictures for the poster, they look great, he was right, I do look great. There's one particular close up of my face. I look like a scared dog.

We went to the printer to check the art work. I was allowed to contribute with my ideas for the poster. We worked all day with the designers.

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